As libraries begin to digitize print catalogues and finding aids, it is no wonder that archival materials long thought to be missing are brought into the spotlight anew: while these works were certainly never lost to their archivists and librarians, the sheer volume of material held in collections worldwide means it is relatively easy for the works of even well-known figures to sit “undiscovered” by scholars in university archives and special collections. Such is the case of three manuscripts by Oscar Wilde, held in the Free Library of Philadelphia and brought once again to public attention in the Rosenbach's current exhibition, “Everything is Going On Brilliantly: Oscar Wilde and Philadelphia.”
Another of Wilde’s important manuscripts also sat unnoticed for decades, hidden in plain sight in the Special Collections Library at the University of Akron: the fair copy of Wilde’s “The Decay of Lying,” which he called in De Profundis the “first and best of all [his] dialogues.”1
Cover of fair copy manuscript of Oscar Wilde's "The Decay of Lying"; PR5818.D43 1889, Special Collections, University of Akron Library. Reproduced with permission.
The manuscript was given to the library in 1962 as part of the collection of patron Herman Muehlstein, a rubber magnate with extensive ties to the school.2 It remained there undisturbed, while scholars thought it was “destroyed or (more likely)…in private hands.”3
Herman Muehlstein's bookplate in fair copy manuscript of Oscar Wilde's "The Decay of Lying"; PR5818.D43 1889, Special Collections, University of Akron Library. Reproduced with permission.
Prior to reaching its stable home in Akron, the manuscript had a rollicking
history that tells us much about the vast fluctuations of the
bookseller’s market—and Wilde’s relative position within the literary
marketplace—in the first half of the twentieth century. In this tale,
Dr. A. S. W. Rosenbach played a key role, with the manuscript coming
into his possession a number of times, and sales records at the
Rosenbach proved instrumental in illuminating part of this
document’s fascinating provenance.
The manuscript, which served as the copy text for the essay’s original 1889 publication in the
Nineteenth Century and bears the typesetters’ marks from the journal,
was originally given by Wilde to Frank Richardson, a novelist who met
his own untimely death. In 1910, Sotheby, Wilkinson, and Hodge included
the manuscript in a sale of “books and manuscripts,” where it was
purchased by London bookseller J. Hornstein for £111. It next appears
on the auction block at the 1920 sale of John B. Stetson, Jr.’s
extensive collection of Wilde’s works. The Anderson Galleries’
catalogue for Stetson’s collection contains noteworthy details about the
manuscript, including a description of the binding: “Written on 55 pp
folio, and mounted with inner guards in book form, full blue morocco
covers, and preserved in a lined cloth case.”4
At the sale, Dr. Rosenbach paid $1525 to purchase the “Decay of Lying,” along with an array of letters and other manuscripts.5 Many of these items—fifty-one of Rosenbach’s purchases at the auction, in fact—were destined for Colonel H. D. Hughes, as is clear from the extensive listing in Rosenbach’s sales records (RCo VIId:15, p. 162-63 [23 April 1920]). Hughes, a collector from Pennsylvania, curiously paid off his sizable balance primarily through daily installments of $100.00.
The sale of the “Decay” manuscript to Col. Hughes was not the last time that Rosenbach would handle the work. Just four years after the Stetson sale, the document again appeared on the auction block when, following the Colonel’s death, much of his collection was sold by the Anderson Galleries. Still bound in blue morocco, the manuscript is also noted as retaining the bookplate “from the J. B. Stetson, Jr. collection.”6 At the auction, Rosenbach purchased the manuscript for $625, quite the bargain compared to its previous price. (The New York Times recorded an erroneous sales figure of $525, though they noted correctly that the manuscript was purchased by the Rosenbach Company.7) Dr. Rosenbach would make a tidy sum on the resale: in 1930, he sold the fair copy of “Decay” to Comte Alain de Suzannet, a collector of British manuscripts with a particular passion for Dickens, for $4850 (Rosenbach Library VIId:22, p. 141).
Suzannet maintained a lively correspondence with Rosenbach, and the firm routinely offered him choice works by Dickens and Thackery, among other writers. The good humor that underscored their relationship was called upon when in 1933, Wilde’s “Decay of Lying” manuscript (which Suzannet already owned) appeared in the Rosenbach catalogue for sale at $3400.8 Including price information seems to have been a rare move for the bookseller, which—according to the New York Times—was regarded “with a little awe, as being something too immaculate and refined to descend to the vulgar level of mentioning money.”9
Suzannet did not fail to notice the presence of the manuscript or its price when Rosenbach sent him a copy of the catalogue; he wrote to Rosenbach salesman Harry Hymes in response that the catalogue presented “a feast spread out for hungry (but poor) men, who can only enjoy these good things through a plate-glass window!” (ALS 20 March 1933, RCo I:167:10). Suzannet asked to purchase a few items by Kipling at a discount before noting, “that 338 [Wilde’s “Decay of Lying” manuscript] is priced $3400. As I had the pleasure of purchasing this same ms. from you three years ago for $4750, are you crediting my account with the balance? In that case I would not bargain for the Kipling items.” (Suzannet underestimated the actual price he paid by $100.)
Dr. Rosenbach was apparently concerned enough to respond to
Suzannet directly: “I wish to apologize to you personally for the error
relative to Oscar Wilde’s ‘Decay of Lying.’ By mistake it was included
in the catalogue and, of course, the mark-down was on that as well as
all the books and manuscripts in stock” (ALS 4 April 1933, RCo I:167:10). Perhaps as a consolation, Suzannet did
receive a small discount on his Kipling order.
Suzannet’s collecting turned increasingly to Dickens’s writing,10 and in March 1934 he offered a number of (non-Dickensian) works from his collection at a Sotheby’s auction; there, the “Decay of Lying” manuscript sold for the astonishingly low price of £45.11 In 1935, the price of the manuscript was again on the rise, advertised by Maggs’s Brothers for £250.11Back to auction it went in 1937, when the “Decay” manuscript—now rebound in “full russia by Sangorski & Sutcliffe”—was purchased by Retz & Storm for $975.13 The manuscript remains in this russia binding today, preserved in excellent condition in Akron, apparently never again reaching the high prices it saw under Rosenbach’s care.
1 Wilde, ‘To Lord Alfred Douglas’, [January-March 1897], in The Complete Letters of Oscar Wilde, ed. Merlin Holland and Rupert Hart-Davis (London: Fourth Estate, 2000), 688. ↩
2 For additional details, see Joseph Bristow and Rebecca N. Mitchell, “Fair Copy Manuscript of Oscar Wilde’s ‘The Decay of Lying: A Dialogue,’” Notes & Queries 61, no. 4 (November 2014). doi: 10.1093/notesj/gju129. Thanks to Head Archivist S. Victor Fleischer and The Herman Muehlstein Collection at The University of Akron for assistance with this project. ↩
3 Josephine M. Guy, ‘Introduction’, in Criticism: Historical Criticism, Intentions, The Soul of Man, The Complete Works of Oscar Wilde (Oxford, 2007), p.xl. ↩
4 Anderson Galleries, The Oscar Wilde Collection of John B. Stetson, Jr., Elkins Park, PA. Sale #1484, April 1920 (New York: American Art Association, 1920), p. 14. ↩
5 “Oscar Wilde Collection of J. B. Stetson Sold,” New York Times 24 April 1920, p. 9. ↩
6 American Art Association, Fine Books and Manuscripts of the Greatest Rarity and Interest including the Further Property of a Prominent Pennsylvania Collector (New York: American Art Association, 1924), n.p., lot 365. ↩
7 “Book Sale Closes,” New York Times, 3 Dec 1924, p. 9. ↩
8Rosenbach Company, A Catalogue of Original Manuscripts Presentation Copies First Editions and Autograph Letters of Modern Authors (Philadelphia and New York: The Rosenbach Company, 1933) p. 44, no. 338. ↩
9 “Notes on Rare Books,” New York Times 9 April 1922, p.BR20. The New York Times noted that “Only the barest details” of the books were described, and thought that “the question as to whether high-priced manuscripts can be sold by means of a check-list such as this is highly speculative.” ↩
10 See Michael Slater, “Introduction” in The Catalogue of the Suzannet Charles Dickens Collection (London: Sotheby Parke Bernet Publications, 1975), ix-xvi.↩
11Sotheby’s, Manuscripts, Autograph Letters and Printed Books Forming part of the Library of the Comte de Suzannet, La Petite Chardière, Lausanne, March 1934 (London: Sotheby’s, 1934), p. 39, lot #256. The Grolier Club’s copy indicates the ms. was purchased by “Mayes.” The auction catalogue includes a reproduction of the final page of the manuscript, which confirms that this version is the same sold by Rosenbach in 1933; the binding is still listed as “blue leather.” The sales price of £45 is confirmed in the Times Literary Supplement (“Notes on Sales,” 5 April 1934, p. 248) and British Books/The Publisher’s Circular (1934, p. 539). ↩
12 English Literature of the 19th & 20th Centuries, being a selection of First and Early Editions of the works of Esteemed Authors & Book Illustrators, together with Autograph Letters & Original Manuscripts; also Books on Sports and Pastimes (London: Maggs Bros. 1935), p. 174. ↩
13Books and Autographs including Library sets in fine bindings from the collection of Mrs. Peter W. Rouss, Colored plates and Sporting Books from the Collection of Reginald Burbank, M.D.; Two Superb autograph letters by George Washington; Coaching and Sporting Prints; First Editions (American Art Association; Anderson Galleries, 1937), p. 234, lot #578; “$2,500 for a Work on Old New York,” New York Times 15 Jan 1937, p. 18. The price is confirmed in “Notes on Sales,” Times Literary Supplement 27 February 1937, p. 156. ↩
Many thanks to Lauren Wayne for her excellent post on creating footnotes in Blogger.
Dr. Mitchell is Lecturer in Victorian Literature at the University of Birmingham (UK). Her most recent book, Oscar Wilde’s Chatterton: Literary History, Romanticism, and the Art of Forgery, co-authored with Joseph Bristow, is forthcoming from Yale University Press. She and Professor Bristow are presently at work on a longer piece on Wilde’s “The Decay of Lying.”